The Enlightenment is Dead, Long Live the Entanglement

Feb 23, 2016chevron-down
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The Enlightenment is Dead, Long Live the Entanglement

We humans are changing. We have become so intertwined with what we have created that we are no longer separate from it. We have outgrown the distinction between the natural and the artificial. We are what we make. We are our thoughts, whether they are created by our neurons, by our electronically augmented minds, by our technologically mediated social interactions, or by our machines themselves. We are our bodies, whether they are born in womb or test tube, our genes inherited or designed, organs augmented, repaired, transplanted, or manufactured. Our prosthetic enhancements are as simple as contact lenses and tattoos and as complex as robotic limbs and search engines. They are both functional and aesthetic. We are our perceptions, whether they are through our eyes and ears or our sensory-fused hyper-spectral sensors, processed as much by computers as by our own cortex. We are our institutions, cooperating super-organisms, entangled amalgams of people and machines with super-human intelligence, processing, sensing, deciding, acting. Our home planet is inhabited by both engineered organisms and evolved machines. Our very atmosphere is the emergent creation of forests, farms and factories. Our networks of commerce, power and communications are becoming as richly interconnected as ecologies and nervous systems. Empowered by the tools of the Enlightenment, connected by networked flows of freight and fuel and finance, by information and ideas, we are becoming something new. We are at the dawn of the Age of Entanglement.

In the last age, the Age of Enlightenment, we learned that nature followed laws. By understanding these laws, we could predict and manipulate. We invented science. We learned to break the code of nature and thus empowered, we began to shape the world in the pursuit of our own happiness. We granted ourselves god-like powers: to fly, to communicate across vast distances, to hold frozen moments of sight and sound, to transmute elements, to create new plants and animals. We created new worlds entirely from our imagination. Even Time we harnessed. The same laws that allowed us to explain the motions of the planets, enabled us to build the pendulum of a clock. Thus time itself, once generated by the rhythms of our bodies and the rhythms of the heavens, was redefined by the rhythms of our machines. With our newfound knowledge of natural laws we orchestrated fantastic chains of causes and effect in our political, legal, and economic systems as well as in our mechanisms. Our philosophies neatly separated man and nature, mind and matter, cause and effect. We learned to control.

Eventually, in the ultimate expression of our Enlightenment exuberance, we constructed digital computers, the very embodiments of cause and effect. Computers are the cathedrals of the Enlightenment, the ultimate expression of logical deterministic control.

Ramo, J.C. The Seventh Sense: Power, Fortune, and Survival in the Age of Networks.
Through them, we learned to manipulate knowledge, the currency of the Enlightenment, beyond the capacity of our own minds. We constructed new realities. We built complex algorithms with unpredictable behavior. Thus, within this monument to Enlightenment thinking, we sowed the seeds of its demise. We began to build systems with emergent behaviors that grew beyond our own understanding, creating the first crack in the foundation.

The second threat to the foundation of the Enlightenment was in the institutions we created. Our communication technology allowed us to build enterprises of unimaginable scope and capability. A modern corporation or NGO has tens of thousands of people, most of whom have never met one another, who are capable of coordinated action, making decisions that shape the world. Governments are even larger. New kinds of self-organizing collaborations, enabled by our global communications networks, are beginning to emerge. All these kinds of enterprises can become more powerful than the individual humans that created them, and in many senses, they have goals of their own. They tend to act in ways that increase their control of resources and enhance their own survival. They are able to perceive and process far more information than a single human, manipulate more matter and energy, act in more ways and places, command more power, and focus more attention. The individual is no longer the most influential player on the world stage.

As our technological and institutional creations have become more complex, our relationship to them has changed. We now relate to them as we once related to nature. Instead of being masters of our creations, we have learned to bargain with them, cajoling and guiding them in the general direction of our goals. We have built our own jungle, and it has a life of its own.

The final blow to the Enlightenment will come when we build into our machines the power to learn, adapt, create and evolve. In doing so, we will give them the power to surpass us, to shape the world and themselves in ways that we never could have imagined. We have already given our institutions the ability to act on our behalf, and we are destined to have the same uneasy balance of power with our machines. We will make the same attempts to build in checks and balances, to keep their goals aligned with ours. We will face similar challenges. In doing so we need to move far away from the understandable logic of Enlightenment thinking, into something more complicated. We will worry less about the unpredictable forces of nature than about the unpredictable behaviors of our own constructions.

So what is this brave new world that we are creating, governed neither by the mysteries of nature or the logic of science, but by the magic of their entanglement? It is governed by the mathematics of strange attractors. Its geometry is fractal. Its music is improvisational and generative rather than composed: Eno instead of Mozart. Its art is about process more than artifact. Its root's are in Grey Walter's cybernetic tortoises,

Augmented Age. Autodesk Universitiy. 11906.
Marvin Minsky’s randomly wired SNARC learning machine,
Augmented Age. Autodesk Universitiy. 11906.
and Nicholas Negroponte’s Seek,
bioLogic: Natto Cells as Nanoactuators for Shape Changing Interfaces. 1–10.
in which the architecture of a living space emerged from the interaction of a observant robot with a horde of gerbils. The aesthetic of the Entanglement is the beauty that emerges from processes that are neither entirely natural nor artificial, but blend the best of both: the webs of Neri Oxman’s silk worms,
CAD Is a Lie: Generative Design to the Rescue. Jan. 6.
Control of a Powered Ankle–Foot Prosthesis Based on a Neuromuscular Model. IEEE TRANSACTIONS ON NEURAL SYSTEMS AND REHABILITATION ENGINEERING,. 20, 2.
spun over a robot-wired mesh; the physical telepresence of Hiroshi Ishii’s tactile displays
Evolving 3D Morphology and Behavior by Competition. Artificial life. 1, 4, 353–372.
Physical telepresence: shape capture and display for embodied, computer-mediated remote collaboration. 461–470.
or his living bioLogic fabric.
Robotically controlled fiber-based manufacturing as case study for biomimetic digital fabrication. Green Design, Materials and Manufacturing Processes, CRC Press (London). 473–8.
 We can no longer see ourselves as separate from the natural world or our technology, but as a part of them, integrated, codependent, and entangled.

Unlike the Enlightenment, where progress was analytic and came from taking things apart, progress in the Age of Entanglement is synthetic and comes from putting things together. Instead of classifying organisms, we construct them. Instead of discovering new worlds, we create them. And our process of creation is very different. Think of the canonical image of collaboration during the Enlightenment: fifty-five white men in powdered wigs sitting in a Philadelphia room, writing the rules of the American Constitution. Contrast that with an image of the global collaboration that constructed the Wikipedia, an interconnected document that is too large and too rapidly changing for any single contributor to even read.

A beautiful example of an Entanglement process is the use of simulated biologically-inspired algorithms to design artificial objects through evolution and morphogenesis. Multiple designs are mutated, bred and selected over many generations in a process analogous to Darwinian selection. The artifacts created by such processes look very different from those produced by engineering.

An evolved motorcycle chassis will look more like a pelvic bone than a bicycle frame.
Shape Displays: Spatial Interaction with Dynamic Physical Form. Computer Graphics and Applications, IEEE. 35, 5, 5–11.
A computer program produced by a process of evolutionary design may be as difficult to understand as a neural circuit in the brain. Thus, the artifacts that are designed by these biologically-inspired processes take on both the beneficial and the problematic characteristics of biological organisms.
Silk pavilion: a case study in fiber-based digital fabrication. Proc. Fabricate. 248–255.
Their beauty is in their functional adaption. This is the elegance of the Entanglement: a new expression of beauty emerging from process. In an Entangled design process, the humans will often have input without control; for example, they may influence aesthetic choices by participating in the selection process or by tuning parameters. Such processes lend themselves to collaboration among multiple machines and multiple humans because the interfaces between the parts are fluid and adaptive. The final product is very much a collaborative effort of humans and machines, often with a superior result. It may exhibit behaviors that are surprising to the humans. Some of these behaviors may be adaptive. For example, early walking machines evolved on the Connection Machine took advantage of an obscure round-off error in the floating-point unit that the human programmers did not even know existed.
Talking Nets: An Oral History of Neural Networks. 304–305.
In this sense, artifacts created by the entangled processes may have some of the robustness of a biological organism, as well as some of the surprise and delight.

Besides displaying the organic beauty of organisms, such designs may also exhibit their complex inscrutability, since it may not be obvious how the features in the artifact correspond to the functional requirements. For example, it may be difficult to tell the purpose of a particular line of code in an evolved program. In fact, the very concept of it having a specific purpose is probably ill-formed. The notion of functional decomposition comes from the engineering process of arranging components to embody causes and effects, so functional intention is an artifact of the engineering process. Simulated biological processes do not understand the system in the same sense that a human designer does. Instead, they discover what works without understanding, which has both strengths and weaknesses. Entanglement artifacts are simultaneously artificial and natural; they are both made and born. In the Age of Entanglement, the distinction has little significance.

As we are becoming more entangled with our technologies, we are also becoming more entangled with each other. The power (physical, political, and social) has shifted from comprehensible hierarchies to less-intelligible networks. We can no longer understand how the world works by breaking it down into loosely-connected parts that reflect the hierarchy of physical space or deliberate design. Instead, we must watch the flows of information, ideas, energy and matter that connect us, and the networks of communication, trust, and distribution that enable these flows. This, as Joshua Ramo

Turing’s Cathedral: The Origins of the Digital Universe. ISBN 1400075998.
has pointed out, is “the nature of our age.”

So what are we to think about this new relationship with our technology and with each other? Should we fear it or embrace it? The answer is both. Like any new powerful force in the world, like Science, it will be used for both good and evil. And even when it is intended to be used for good, we will make mistakes. Humanity has been dealing with this conundrum ever since the first cooking fire got out of control and burned down the forest. Recognizing this does not absolve us from our responsibility, it reminds us why it is important. We are remaking ourselves, and we need to choose wisely what we are to become.

Inspired by the silkworm’s ability to generate cocoon out of a single silk thread, Neri Oxman and her Mediated Matter Group designed and co-fabricated a 3m diameter Silk Pavilion using 6,500 silkworms to spin silk patches on top of CNC-deposited fibers.

Hiorshi Ishii's Tanglible Media group has developed a Dynamic Shape Display that can render 3D content physically, so users can interact with digital information in a tangible way.

Hiroshi Ishii and his Tangible Media group are bridging the gap between “built” and “grown” by programming a living organism to create responsive and transformable skin coverings. Their BioLogic uses living cells as nano actuators, as well as the engineered materials, geometry and structure to achieve adaptive transformation. Biologic is an example of both the process and the aesthetic sensibility of Entanglement.



Discussion on Jul 20, 2016
Sean Thoennes: We continue to grasp at a reasonable means by which wealth can be distributed in an equitable fashion, not only so that each has the means of survival and opportunity that a wealthy and democratic ...
Discussion on May 30, 2016
Mike McCarthy: With the exception of the powdered wigs, the authors of the Constitution are little different (just fewer) than the authors of wikipedia: almost entirely white guys, mostly in their 20s. (As much ...
Danny Hillis: I think you overstate your case. While it is true that the demographics of WIkipedia contributors are very different that of the general population, it would be difficult to argue that they are not...
Discussion on Mar 24, 2016
Ken Goldberg: What is needed is a science of collaboration that combines diverse sets of machines (eg ensemble theory, random forests), with diverse sets of humans. In contrast with the rhetoric of Singularity,...
Discussion on Mar 24, 2016
Ben Toth: An interesting piece but is there any evidence that humans have ever NOT been intimately intertwined with their creations? If not the rest of the article falls rather flat on its face. One only has...
Danny Hillis: We certainly had physical and emotional investment in our creations in the past, but there was little difficulty drawing a distinction between the character of the created and the creator.
Discussion on Mar 23, 2016
Joe Sokohl: Too bad its roots are in bad punctuation. Understanding homophones matters.
Discussion on Mar 16, 2016
Francisco José Casas Restrepo: Mr. Hills, your article is wonderfull!! The most natural in our world today is technology. This is our nature,
Jon Henrich: I totally appreciate your vision. I agree that the article is excellent. Can we really say that technology is our nature? This makes me shutter to think: Is synth the new, natural form of music, ca...
Dustin Ezell: Those instruments are tech too. We've been making tech since we sharpened our first hand axe.
Discussion on Mar 14, 2016
Donna Fasano: Working in design and fabrication, often the question which comes up is "Why create this particular thing? What story will it tell after we have informed it?" Will this thing we design continue to ...
Discussion on Mar 13, 2016
Georgi Georgiev: Do you mind giving an example?
Danny Hillis: Programmed trading sytems on the stock market.
Danny Hillis: Programmed trading systems on the stock market.
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Discussion on Mar 13, 2016
Brian Eno: One of the issues hinted at here and very critical at present is the issue of authorship. Where does any given idea come from? Who is responsible for it and how should they be recompensed? How can ...
Boris Anthony: A lovely example indeed here of how "zooming" in and out of problem spaces can give us different perspectives towards a resolution. If, for example, we stay within existing / prevalent consumerist/...
Kevin Ford: Brian, Kirby Ferguson produced a thoughtful and eloquent 4-part indie movie series that I think is related to what you mentioned above about the book, The Topology of Chance. This book is now on my...
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Discussion on Mar 13, 2016
Andrew Martz: "We can no longer see ourselves as separate from the natural world or our technology, but as a part of them, integrated, codependent, and entangled." Codependency, in a psychological framework, gen...
Danny Hillis: I am not using the term “codependent” in the clinical sense, but our co-dependencies with technology certainly have the potential for becoming pathological. Our co-dependencies with other people a...
Discussion on Mar 12, 2016
Natasha Davidenko: All enlightened people just go into 3D and are in greed of having material golds and etheric power. And what church provides.
Discussion on Mar 12, 2016
Zacharias Efraimidis: Reading this makes me think of a Global Constitution, i.e. a collaboratively constructed set of rules.
Jon Henrich: I think that brings about the excellent point: things become too large for any single contributor to even read, which brings about Design as Participation. To paraphrase Henry Rollins, "I don't thi...
Discussion on Mar 11, 2016
Jackie Luo: Particularly fascinating in light of the argument about the Apple v. FBI case that iPhones are more analagous to our minds than safes.
Discussion on Mar 11, 2016
no rb: This whole article reminds me a lot of "The 3D Additivist Manifesto"
Discussion on Mar 11, 2016
no rb: "You have constructed your own little machine, ready when needed to be plugged into other collective machines." - D&G (from 1000 Plateus)
Discussion on Mar 11, 2016
no rb: I'm getting a type of post-humanist vibe from this. Maybe we could suprass "the human" (so to speak) instead of us being "left behind".
Discussion on Mar 11, 2016
no rb: Science predates the Age of Enlightenment....
Georgi Georgiev: Isn't it the case that the Age of Enlightment IS the age of science?
Danny Hillis: The scientific revolution began towards the end of the Renaissance period, yet I would argue that science as we know it today is a product of the Enlightenment, when the great scientific academies ...
Discussion on Mar 11, 2016
Tom Leedy: Reminds me of P Teilhard de Chardin's ideas about evolution. Forward the Mind! (organic or other)
Discussion on Mar 02, 2016
Evgeni Sergeev: Yet, luckily, the end result may be understood by a designer to a large extent (e.g. organs in a body). Maybe the best fusion will be achieved when we learn to contribute our designer's understandi...
gabriel licina: You vastly overestimate our understanding of biological systems...
Danny Hillis: The relation to parts to function is more complex in a biological systems than in an engineered systems, but I agree that they sometimes have have parts with understandable function, for example th...
Discussion on Mar 02, 2016
Evgeni Sergeev: That's SNARC. "C" was for "Calculator".
Discussion on Feb 27, 2016
Chris Oestereich: This is my concern. We are children playing with power tools -- blithely unaware of the havoc we might wreak.
Matthew Shaw: Children do wreak havoc. They also create and inspire wonder. Omelettes and eggs and all that.
Ravi Heugle: Chris, I like the poignant analogy but I think that your concern is everyone's concern. The question is whether or not we can build cultures and institutions that allow us to utilize "power tools" ...
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